headshot01Tyrese L. Coleman is a writer, wife, mother, and attorney. Her debut collection of stories and essays, How to Sit, was published by Mason Jar Press in 2018 and nominated for a 2019 PEN Open Book Award. Her work has appeared as a notable in Best American Essays 2018 and nominated for a Pushcart Prize.

Because she isn’t busy enough, she is also the reviews editor for SmokeLong Quarterly, an online journal of flash fiction. Occasionally, she works as an instructor at the Writer’s Center in Bethesda, MD and other ad hoc workshops.

Tyrese often writes about issues relating to motherhood, family, and pregnancy. Her essays have appeared in Buzzfeed, Brain, Child Magazine and is an occasional contributor for Rewire News.

She also writes memoir and personal essays. Her work has appeared in Black Warrior ReviewThe Kenyon Review, Literary HubWashingtonian Magazine, The Rumpus, and elsewhereShe also conducts interview for Electric Literature and writes reviews for Atticus Review.

A 2016 Kimbilio Fiction Fellow, Tyrese’s passion is writing fiction. Her stories have appeared in numerous journals, including, The Offing, [PANK], Queen Mob’s Tea House, the Tahoma Literary Review, Hobart, and recognized in Wigleaf’s Top 50 (very) short fictions 2016.

Tyrese grew up on a dirt road in Ashland, Virginia, the self-proclaimed “center of the universe.” She received her masters in writing from Johns Hopkins University and a B.A. in English Language and Literature from the University of Maryland in College Park. A member of the Maryland State Bar, she received her J.D. from the University of Baltimore.  She lives in the Washington D.C. metro area but is a country girl at heart.


HTS Book Cover

How to Sit

Tyrese L. Coleman’s debut collection of stories and essays, How to Sit, was published by Mason Jar Press in 2018 and nominated for a 2019 PEN Open Book Award.

“How do you pick your mom up from jail? How do you mourn the death of your grandmother, who was both a powerfully seductive and vital force in your life, but at the same time, awful and tragic? How do you wait three months for your premature twin babies to get out of the NICU without going mad from fear and guilt? With a strong voice that is at times sparse and direct, at other times poetic and knowing, Tyrese Coleman confronts these and other questions in this beautiful debut collection, How to Sit. In these stories and essays, she uncovers a paradoxical truth: that sometimes it’s the more difficult things that you can face with surprising bravery and it’s the things that are supposed to come “easy” that are the hardest to learn. How to Sit is, at root, a reflection on how to live. How to both accept and transcend your past. Coleman excavates her personal history, sometimes in stories handed down from past generations, sometimes in DNA results, and she discovers that it’s the act of writing itself that can free her from her family, her guilt, maybe even herself. For Coleman, there is ‘no way to escape except to live her own fiction.’”

—David Olimpio, Author of This Is Not a Confession


Works in Progress

Tyrese is seeking representation for a literary and/or upmarket romance novel that follows the relationship between two cousins through marriage who fall in love as teenagers and are now suddenly unencumbered with the tie that binds them. Will family and past heartache continue to keep them apart now that they are no longer related? Set in a rural Southern town, this novel explores not only love and family, but race, class and social upheaval.
She is also working on two other collections and a literary hybrid focusing on a slave experimented on by famed gynecologist, Marion Simms.


“As a writer, your emotions then impact how you put that memory on the page. You have a responsibility to make clear that this is how you see it in your head, based on these emotions.”

Guernica Magazine

Fiction AdvocateTyrese Coleman Portrait

Kenyon Review

Santa Fe Writers Project

Black Warrior Review



Fear No Lit

For events and where to find Tyrese, please check out her Twitter feed.

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